I had a somewhat restrictive timeframe for this binding which, along with some other reasons, led to this linear design with simple onlay work. To spice it up a bit I added a few details abstractly hinting at the story; the red onlays and the uneven rail lines are a loose metaphor on the main character’s alteration as the story progresses.
I’ve already written about my affiliation for quirky titles in previous posts. Since I was to tool a ridiculously long title on such a small sized book (hear that writers out there? Keep your titles short dammit!) I decided to incorporate it in the design. The leather was feeling a bit rebellious about that part but my typeholder had a different opinion. Well, guess who won…
Has anyone seen the film adaptation? Any good?